Wednesday, December 26, 2007

Bumps Along the Road to Freedom

We may escape a close encounter with tyranny. As the GOP self-destructs, The Nation declares that Democrats are poised to roll back the excesses of George W. Bush. The battle is won when Democrats retake the government; the war is lost if Democrats fail to restore the republic and the Constitution. We have stared into Nietzche's abyss and saw ourselves! We remain our greatest threat since the 1930s.

Every heroic struggle deserves an equally heroic soundtrack. In 1830, Hector Berlioz orchestrated not a film score --but a life score: La Marseillaise.


Casablanca - Rick´s Bar

The year 1830 was recalled by Hector Berlioz in his memoirs. While he had been two weeks shut up in the Paris Conservatoire writing a cantata, a revolution had broken out.

I was finishing my cantata when the Revolution broke out," "I dashed off the final pages of my orchestral score to the sound of stray bullets coming over the roofs and pattering on the wall outside my window. On the 29th I had finished, and was free to go out and roam about Paris till morning, pistol in hand. A day or two later I was crossing the courtyard of the Palais Royal when I heard a tune I knew well - a dozen or so young men singing a battle hymn of my composition [one of the Neuf Mélodies on texts of Thomas Moore]. Unused as I was to this kind of popularity, the discovery delighted me and I pushed my way through to the circle of singers and requested permission to join them. The audience grew steadily and the space round the little patriotic band got smaller and smaller. We barely escaped, and fled with the crowd streaming behind us till we reached the Galérie Colbert. There a haberdasher asked us up to a second-floor balcony, where we could 'rain down our music on our admirers' without the risk of being suffocated.

We struck up the Marseillaise. Almost at once a holy stillness fell upon the seething mass at our feet. After each refrain there was a profound silence. This is not at all what I had expected. On beholding that vast concourse of people I recalled that I had just arranged Rouget de Lisle's song for double chorus and full orchestra, and that where one normally writes 'tenors and basses' I had written instead 'everyone with a voice, a soul and blood in his veins.' After the fourth verse I could contain myself no longer, and I yelled, 'Confound it all - sing!' The great crowd roared out its Aux armes citoyens! with the power and precision of a trained choir.

--Memoirs of Hector Berlioz on La Marseillaise

Berlioz dedicated his setting of the Marseillaise to the anthem's author, Rouget de Lisle, who, by 1830, was living in indigent retirement in Choisy, on the southern fringes of Paris. The rise in popular democratic zeal surrounding the 1830 Revolt caused a renewed interest in his patriotic hymn, and King Louis-Philippe granted the poet an annual pension of 1500 francs. De Lisle wrote Berlioz a letter of appreciation on December 30, 1830, inviting Berlioz to visit him in Choisy to discuss an unnamed proposal. "I heard later," Berlioz continued in his Memoirs, "that de Lisle - who incidentally wrote many fine songs besides the Marseillaise - had an unpublished libretto on Othello that he wished to offer me. Being obliged to leave Paris on the day after I received this letter [for Rome as prize winner], I sent my apologies and explained that my visit would have to wait until after my return from Italy. The poor man died in the interval. I never met him."

--La Marseillaise - Berlioz

And in historical New Orleans, a reminder that the city's current problems with the Federal Government in Washington are not new.
New Orleans, LA (AHN) - The City Council of New Orleans unanimously voted to demolish 4,500 government-subsidized homes destroyed by Hurricane Katrina, despite overwhelming criticism and riotous protests that included a brawl in the council chamber before the vote.

The 7-member council supported a redevelopment plan of the US Department of Housing and Urban Development (HUD) to replace the C.J. Peete, B.W. Cooper, Lafitte and St. Bernard public housing projects with a mixed-use development that has 744 public housing units. ...

--Update 2: New Orleans City Council Unanimously Votes To Demolish Public Housing, December 20, 2007 7:01 p.m. EST

History, it seems, does repeat itself. Certainly, the battle for "liberte" is not won. In 1917, the government of the United States --the War Department, I believe --imperiously decided that certain parts of New Orleans had no right to exist. Those areas were "shut down", residents forced to relocate. The War Department presided over the destruction of property. I call that tyranny!


Billie Holiday & Louis Armstrong - Farewell to Storyville

The area is known to us as "Storyville" for Alderman Sidney Story, who decreed in 1898 that prostitution should be legal in the area called by locals --"the District". The photographic images of photographer E J Bellocq, circa 1912, are among the few visual records of Storyville that survive. Bellocq, a commercial photographer for shipping companies, is remembered for the "studies" he made of working women in Storyville. His images, at once prurient and artistic, capture perfectly the ambiguity with which the rest of the US regarded New Orleans --a "French city" in America, a city in which the famous French Impressionist Edgar Degas lived for a while and produced important work. He found himself in the middle of post-Civil War politics. New Orleans itself was comfortable "in its own skin" if puritans elsewhere in the South were not.

I have yet to find the legal authority for the Federal Government's closure of Storyville during World War I. The New Orleans City Government protested vigorously to no avail. Nevertheless, with the Storyville's loss segregated "dens of prostitution" emerged around the city. By the 1930s very little remained of famous old mansions along Basin Street, some of the finest structures in the city. It seemed a deliberate effort to erase the very memory of Storyville. Efforts to rename Basin Street "North Saratoga" failed. Today, Basin Street is Basin Street and a classic blues tune bears its name. The video above is from a 1947 film featuring Billie Holiday and Louis Armstrong.









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Tuesday, December 25, 2007

Oscar Peterson's Dream of Peace and Equality

by Len Hart, The Existentialist Cowboy

Oscar Peterson had been called by some the greatest jazz pianist ever. He was also an articulate advocate of peace. My guest columnist ---Oscar Peterson:
PEACE

by Oscar Peterson

It is not unlike the state of good health. Something that we all seem to take for granted, and wait too long to do something about, until we are in dire pain; WAR. We expect it to be with us at all times whilst doing nothing to constructively insure this. We try our best to ignore others that may be suffering with bad health and seemingly only intercede when it is blatantly to our advantage.

For all of us to participate locally in the quest for peace it would seem to me, forestalls the chance of a world wide epidemic; WORLD WAR.

My vision of peace encompasses an awareness of the rights of our fellow man irrespective of race, color or creed. Words spoken and repeated many times on many occasions, political or otherwise, and by many individuals; but so often only used to fill spaces on paper. I believe that if mankind could honestly embrace the true embodiment of those misused words, the world would be much farther along the road to good health.

Over the last years, I have followed with extreme interest, man’s (and women’s) struggle to expand the frontiers of our world to include the unknown and voluminous reaches of space. During this time there have of course been varied speculations about what type of life possibly exists out there, and whether we could comprehend them and their mode of life. My own concern has always been slanted more towards what they would think of we humanoids and our warring ways. Should any visitors emanating from a peaceful society enter our galaxy, they must certainly diagnose us as a terminal species.

We can stem the tide of the epidemic by taking the time to recognize our brothers and sisters as humans that have been willed the right to exist anywhere in this world that they should so choose. That they also have the right to work and earn a fair and equitable wage. They must have the opportunity to raise their families without fear of the hate squads and the purveyors of bigotry and oppression. They must retain the right to choose their own system of government so long as all people remain free and equally represented. They must have the right to worship in their own private way without forcing their own religious beliefs on their neighbors.

We can look on these inalienable human rights as the vitamins and antibiotics that keep our present day civilization healthy and productive. They are at times to some of us bitter pills to take especially when we have prospered on our brothers and sister’s illness. However, it has been proven beyond all shadow of a doubt that we can only have a healthy world if we are able to throw off that perennial yoke of selfishness and oppressive decadence.

We are the primary architects of our future destiny, and as such, can also be the physicians that are capable of initiating the healing process that our world so desperately is in need of. To myself as a citizen of the same world, I look forward to the time when the medication of brotherly understanding and respect begins to make its effect felt, and the world is on the road to good health!

-- PEACE, Oscar Peterson

The soul of Montreal's favorite son lives on in soaring, swinging jazz licks of incredible invention and precision. Classically trained, Peterson could swing with unerring senses of phrasing and rhythm. Other great musicians were flattered to perform with him and challenged to keep up with him. It is my hope that his dreams of world peace will likewise blossom and enrich us. Adieu, Oscar.


Oscar Peterson & Andre Previn play together


Duke Ellington called Peterson "the "Maharajah of the keyboard". His career spanned 60 years. Wikipedia has done a creditable job with his essential bio facts.


Oscar Peterson Trio - A Gal In Callico (1958)


Oscar Peterson [Night time] - A Night in Vienna


Ella Fitzgerald sings "More Than You Know" with Oscar Peterson 1980

Also see: Oscar Peterson, Piano Virtuoso

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Monday, December 24, 2007

Americans Discovering Themselves in Europe

by Len Hart, The Existentialist Cowboy
The only way to truly know your own country is to travel to some other country. The only way to understand or find yourself is to abandon your "self" and realize that the "self" is an invention and an illusion.

--Robert Dente - 10:14pm Jun 15, 2002 EDT (#15047 of 38607)

It is an American tradition to leave America. In the famous movie and the most recent remake, Sabrina said "I found myself in Paris". Appropriately, La Vie en Rose was playing in the background. Fiction, perhaps! Nevertheless many Americans have found and continue to find "themselves" abroad: James Whistler, John Singer Sergeant, Ernest Hemingway, Thomas Wolfe, and Mark Twain. For many it is a Jungian journey of self-discovery as is life itself.
I had been to Europe five times now; each time I had come with delight, with maddening eagerness to return, and each time how, where, and in what way I did not know, I had felt the bitter ache of homelessness, a desperate longing for America, an overwhelming desire to return.

During this summer in Paris, I think I felt this great homesickness more than ever before, and I really believe that from this emotion, this constant and almost intolerable effort of memory and desire, the material and the structure of the books I now began to write were derived.

--Thomas Wolfe, The Story of a Novel quoted in The Creative Process

The great American exodus may have begun with the "expulsion" of Tories during the Revolutionary war. Most went to the Canadian provinces, but between seven thousand and eight thousand went to England --notably Thomas Danforth who had practiced law in the colonies.

Later, Judah P. Benjamin, the Confederate Secretary of War and Secretary of State, fled to England and became a successful lawyer. Other "confederates" fled to Canada, Japan, Australia, Egypt, Mexico, and Central and South America.

The most famous expatriates were the "lost generation": Ernest Hemingway, John Dos Passos, Julian Green, William Seabrook, E. E. Cummings, Harry Crosby, Sidney Howard, Louis Bromfield, Robert Hillyer, and Dashiell Hammett. They shared with the Dadists and the Surrealists an almost universal disillusionment following the "Great War".
Most of the expatriates congregated in Paris, France where they lived for several weeks, months, years, or even for the rest of their lives. During the 1920s, Paris was a bustling cosmopolitan hub where a rich history converged with a blossoming artistic community.

It was considered to be the cultural capital of the early twentieth century. Attracted by this atmosphere, the expatriates settled in Paris hoping to establish their literary identities and find a market for their work. Nevertheless, each author found a varying degree of success while living and writing in Paris. F. Scott Fitzgerald, as compared to his friend and fellow author Ernest Hemingway, was much less productive in the mid-1920s.

--American Expatriates in Europe: The Lost Generation

John Singer Sargent was of another type, born of American parents in Florence. He grew up speaking several languages, most certainly English, French and Italian.

His 1884 portrait of New Orleans born Virginie Avegno Gautreau --better known as Madame X --became his most famous portrait. It's hard to imagine how one succeeds in scandalizing a society in which men were expected to have mistresses. Nevertheless, a single strap off the bare shoulder was too much for polite society. The hubbub persuaded the artist to quit Paris for London. He would not see America until 1887.

Many expatriates returned to US but --in the early 1920s --many returned to Europe. Their complaints about postwar American culture --standardized and vulgar --reverberate today in contemporary criticisms of FOX, football, and Limbaugh. For them --as well as contemporary American critics --Europe represented ancient wisdom, a sense of history lost amid post-modern Americana and suburban sprawl, mass media, Walmarts, and super-sized fries.

Though not an expatriate, William Wordsworth wrote of London:
Earth has not anything to show more fair:
Dull would he be of soul who could pass by
A sight so touching in its majesty:
This City now doth, like a garment, wear
The beauty of the morning; silent, bare,
Ships, towers, domes, theatres, and temples lie
Open unto the fields, and to the sky;
All bright and glittering in the smokeless air.
Never did sun more beautifully steep
In his first splendour, valley, rock, or hill;
Ne'er saw I, never felt, a calm so deep!
The river glideth at his own sweet will:
Dear God! the very houses seem asleep;
And all that mighty heart is lying still!
My first such impressions of London were not from Westminster Bridge looking east but Blackfriars looking west in the damp gray cold --London weather at its worst. That the Thames looked like gray slate did not deter the intrepid racers rowing quickly upstream.

Later, of course, I would find Wordsworth's "London" from Westminster, just below the statue of Boudicca, a symbol of every people's revolt against tyranny and empire.

Indeed, what American, longing to find what had been lost in him/herself, could pass the piazzas of Florence, the cafés of Paris, the coffeehouses of Vienna, the cabarets of Berlin, the pubs of London and not be inspired to rediscover those parts not nurtured back home in Indiana or perhaps deliberately scorned in Texas? The tradition is not passive flight; it is the active embrace of life itself.


Elizabeth Taylor interprets William Wordsworth's 'Composed Upon Westminster Bridge'

Sunday, December 23, 2007

Ann Coulter is even more ignorant than I thought

I found the following scary insight on a friendly blog. Brilliantly written, it's a rare look at someone who has made a helluva lot more money than she ever really earned or deserved.
Over dinner she reiterated her obnoxious opinion that the “experiment” with woman’s suffrage is the root cause of big government. Like a child playing with an Etch-a-Sketch, she points to a straight line, leading back through history. There, she says… big government started right there, in 1920. That’s when the 19th amendment was ratified, ergo that’s the cause of the whole problem. After that, according to Ann, it was all downhill.

Doug and I looked at each other curiously… But Ann, that same line, if you move it just a bit further, actually seems to start in 1913, when the Federal Reserve was created, the prohibition of income taxes was repealed and the Republic was put to rest through the direct election of senators. Don’t you think these changes to the Constitution and the policies they enabled – like FDR’s gold seizure and our resulting experiment with paper money – were far more significant than woman’s suffrage?

Ann Coulter had never heard of the gold standard. She didn’t believe us when we told her that in 1933 FDR seized all of the privately held bullion in the country, then devalued the dollar – probably the greatest financial crime in history. She didn’t even know it was illegal for citizens to own bullion up until 1974. Bretton Woods? Coulter thought we were talking about tennis rackets. She told me flatly “I don’t know anything about finance or economics.” Not even the basics, like how inflation affects prices or the key role paper money and progressive income taxes have played in building the welfare state. We might as well have been talking to a horse. Ann just looked at us, her long face turned sideways with incredulity.

Lacking anything intelligent to say, she decided to simply insult us. “I was a libertarian as a teenager, but I emerged from adolescence…”

Good one, Ann. What a zinger.

--My Dinner With Ann Coulter

Do we all feel "zinged" now!

I didn't think so.







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Supreme Court: Big Corporations Can Take Your Home

by Len Hart, The Existentialist Cowboy

Since the 1980s, it has become very nearly impossible to find anything about which the GOP is right. But --I've done it! In the interest of fairness, I have ferreted out a SCOTUS decision of 2005 that merits special mention, primarily because Antonin Scalia, whose thought processes were scrambled, backward and fallacious in Bush v Gore, was absolutely correct this time around. Secondly, the so-called court "liberals" were absolutely wrong. The decision has not yet replaced Roe v Wade as a "conservative" cause celebre, but it's close. It should be a progressive cause celebre as well.

The decision is Kelo v. City of New London, 545 U.S. 469 (2005) in which SCOTUS ruled that the city of New London could invoke imminent domain for the benefit of a private development project. I would think this a violation of the Fifth Amendment on its face.
Two polar propositions are perfectly clear. On the one hand, it has long been accepted that the sovereign may not take the property of A for the sole purpose of transferring it to another private party B, even though A is paid just compensation. On the other hand, it is equally clear that a State may transfer property from one private party to another if future "use by the public" is the purpose of the taking; the condemnation of land for a railroad with common-carrier duties is a familiar example. Neither of these propositions, however, determines the disposition of this case.

--KELO et al. v. CITY OF NEW LONDON et al.

There was apparently no attempt to make the case that the end use would benefit anyone but private, corporate development. Simply, because of Kelo v City of New London, if a private developer covets your lake front property and, further, if the developer can persuade the city to condemn your house, the development can move in, move you out, and put up fancy, highly profitable condos. That is what has happened in New London, Connecticut. What you thought you owned can be taken away if a big, influential corporation covets it and has friends on the City Council.

The case arose when New London, Connecticut condemned the privately owned homes ideally situated lakeside. The huge pharmaceutical firm, Pfizer, claimed that the property was to be used as a part of a comprehensive redevelopment plan. In a 5-4 decision, SCOTUS ruled that the "general benefits" a community enjoyed from economic growth were sufficient to qualify as "public use" under the Takings Clause of the Fifth Amendment." A stretch by any standard --liberal or conservative!

In fact, the development plan included a resort hotel, a conference center, 80–100 new high income residences consisting of townhouses and apartments, and fashionable office and retail space. Given the history of "trickle down" theory, it is difficult to see how such a development benefits anyone other than developers. Two words --high income --exclude most of the public. It is hard to make the case that the public as a whole benefits when those not earning high incomes are excluded. Moreover, improving the general tax base of a city upon the backs of retirees and persons of modest income is most certainly not what the founders had in mind by the term "public".

The project moved forward upon a 5–4 decision of June 23, 2005 but it was not Antonin Scalia but Justice John Paul Stevens who wrote the majority decision favoring the City of New London. Stevens was joined by Justices Anthony Kennedy, David Souter, Ruth Bader Ginsburg and Stephen Breyer. Justice Kennedy's concurring opinion was, in fact, an apologia, a rationale for the idea that government policy need only bear a rational relation to a legitimate government purpose. In other words, big corporations, like Pfizer, who wish to displace you need only meet a very minimum and exceedingly vague standard to displace you from your home: rational relation.
(a) Though the city could not take petitioners' land simply to confer a private benefit on a particular private party, see, e.g., Midkiff, 467 U. S., at 245, the takings at issue here would be executed pursuant to a carefully considered development plan, which was not adopted "to benefit a particular class of identifiable individuals," ibid. Moreover, while the city is not planning to open the condemned land--at least not in its entirety--to use by the general public, this "Court long ago rejected any literal requirement that condemned property be put into use for the ... public." Id., at 244. Rather, it has embraced the broader and more natural interpretation of public use as "public purpose."

--KELO et al. v. CITY OF NEW LONDON et al.

The city, it was decided, need not prove that the development would, in fact, benefit the entire community in any measurable way. The corporate entities coveting your property need not spell out concrete, tangible ways in which the community as a whole would benefit. The city need not prove that merely increasing the tax base benefits the community as a whole. Nor was the city required to prove that the alleged improvement was not offset by new liabilities and/or services.
In 2000, the city of New London approved a development plan that, in the words of the Supreme Court of Connecticut, was "projected to create in excess of 1,000 jobs, to increase tax and other revenues, and to revitalize an economically distressed city, including its downtown and waterfront areas."

--KELO et al. v. CITY OF NEW LONDON et al.

Justice O'Connor, with whom The Chief Justice, Justice Scalia, and Justice Thomas join, dissenting.
The Fifth Amendment to the Constitution, made applicable to the States by the Fourteenth Amendment, provides that "private property [shall not] be taken for public use, without just compensation." When interpreting the Constitution, we begin with the unremarkable presumption that every word in the document has independent meaning, "that no word was unnecessarily used, or needlessly added." Wright v. United States, 302 U. S. 583, 588 (1938). In keeping with that presumption, we have read the Fifth Amendment's language to impose two distinct conditions on the exercise of eminent domain: "the taking must be for a 'public use' and 'just compensation' must be paid to the owner." Brown v. Legal Foundation of Wash., 538 U. S. 216, 231-232 (2003).

--KELO et al. v. CITY OF NEW LONDON et al, Justice O'Connor, with whom The Chief Justice, Justice Scalia, and Justice Thomas join, dissenting.

The project is most certainly not a public asset nor is it used by the public in the same way that a public park, a public lake or a municipal auditorium is used. This project was not essentially different from the huge Allen Center, Greenway Plaza, Cullen Center, or the mega Houston Center projects in Houston. The "public" may work in the offices, patronize shops, and sit in open spaces. The public may walk from Enron to One Allen Center to Hyatt Regency --but to claim that these are "public" projects is absurd.
In February 1998, Pfizer Inc., the pharmaceuticals manufacturer, announced that it would build a global research facility near the Fort Trumbull neighborhood. Two months later, New London's city council gave initial approval for the New London Development Corporation (NLDC) to prepare the development plan at issue here.

The NLDC is a private, nonprofit corporation whose mission is to assist the city council in economic development planning. It is not elected by popular vote, and its directors and employees are privately appointed. Consistent with its mandate, the NLDC generated an ambitious plan for redeveloping 90 acres of Fort Trumbull in order to "complement the facility that Pfizer was planning to build, create jobs, increase tax and other revenues, encourage public access to and use of the city's waterfront, and eventually 'build momentum' for the revitalization of the rest of the city." App. to Pet. for Cert. 5.

--KELO et al. v. CITY OF NEW LONDON et al, Justice O'Connor, with whom The Chief Justice, Justice Scalia, and Justice Thomas join, dissenting.

It is reasonable to assume that some jobs were created initially. But construction is temporary. How many net jobs were created, if any? How many long term jobs were created? How does the public benefit and in what ways? Did the public benefit from the impact on the environment? What criteria are used to determine public benefit?

Those questions were not raised. Neither the city or the developers were required to put forward a program designed to generally improve the infrastructure, the schools, the water supply or any number of amenities expected of a community in which all citizens contribute monetarily and in which all citizens have a stake. Nor was the city required to prove that the displacement of long time residents would not prove of greater liability to the city. This looked like a private development by private enterprise for private enterprise and benefiting private enterprise. The public be damned!
The public use requirement, in turn, imposes a more basic limitation, circumscribing the very scope of the eminent domain power: Government may compel an individual to forfeit her property for the public's use, but not for the benefit of another private person. This requirement promotes fairness as well as security. Cf. Tahoe-Sierra Preservation Council, Inc. v. Tahoe Regional Planning Agency, 535 U. S. 302, 336 (2002) ("The concepts of 'fairness and justice' ... underlie the Takings Clause").

--KELO et al. v. CITY OF NEW LONDON et al, Justice O'Connor, with whom The Chief Justice, Justice Scalia, and Justice Thomas join, dissenting.

The role played by the city of New London was simply that of making it easier for the big pharmaceutical company to get the land it needed --cheap!

The decision was a cop out and I am ashamed to say that the so-called "liberals" on the court were hoaxed. Certainly, wealth does not trickle down and I dare say none of the said "public benefits" of this development have "trickled down" to the "public", the residents of New London and most certainly not to the original residents of the coveted property.

It is also a safe bet that the residents were compensated only at existing market value --not at projected market value after the construction of fancy, schmancy hotels, conference centers, jacuzzis and condos. Sadly, this is a case in which the corporate rich coveted the lands of those less fortunate and schemed a way to get good property cheap. And they did it with municipal complicity. This is a case in which big business and crooked government screwed the people. Tragically, this case is just a milestone on the road to corporate fascism.

An update:

Shock and Tasers in New Orleans

By Naomi Klein, HuffingtonPost.com, December 22, 2007

Readers of my book The Shock Doctrine know that one of the most shameless examples of disaster capitalism has been the attempt to exploit the disastrous flooding of New Orleans to close down that city's public housing projects, some of the only affordable units in the city. Most of the buildings sustained minimal flood damage, but they happen to occupy valuable land that make for perfect condo developments and hotels.

The final showdown over New Orleans public housing is playing out in dramatic fashion right now. The conflict is a classic example of the "triple shock" formula at the core of the doctrine.

- First came the shock of the original disaster: the flood and the traumatic evacuation.

- Next came the "economic shock therapy": using the window of opportunity opened up by the first shock to push through a rapid-fire attack on the city's public services and spaces, most notably it's homes, schools and hospitals.

-Now we see that as residents of New Orleans try to resist these attacks, they are being met with a third shock: the shock of the police baton and the Taser gun, used on the bodies of protesters outside New Orleans City Hall yesterday. ...

From Le Thé Chez Vierotchka: The Frontline - R.I.P.